Monday, June 25, 2012

Thanks, and Stay Tuned

                                                  http://myfrenchcountryhome.blogspot.ca/2012/01/merci-for-past-two-years.html


When I started this blog, I planned on learning for myself, and sharing this as a journal that only a handful of people would read.  However, when I check my stats I see that this is not the case. Therefore, I plan to continue blogging about technology and gifted education (and likely beyond) in September (despite my course being over), and periodically over the summer.

Get outside, get inspired, and keep in touch!

Thanks again, and stay tuned!

Friday, June 22, 2012

Connectivism in the Gifted Classroom



Connectivism...it's all the rage these days!  But what does it mean? Is it learning theory? A pedagogy? What does it look like? What are it's implications for learning?  Would it apply to gifted learners too?


This is (potentially) a huge topic (prolific writer and thinker Stephen Downes does it in just over 600 pages) !  But a very easy one to comprehend and explain.  Well, sort of...


Let's take it from the top.  Connectivism is a learning theory that was first proposed by George Siemens and Stephen Downes.  Dubbed A Learning Theory for the Digital Age, connectivism is a pedagogy based on the realization that any knowledge, all knowledge, is (complex). Knowledge is not something we can package neatly in a sentence and pass along as though it were a finished product" (like I am trying to do here).  "It is complicated, distributed, mixed with other concepts, looks differently to different people, is inexpressible, tacit, mutually understood but never articulated" 
(Connectivism and Connected Learning: Essays on learning and learning networks. Downes, 611).


Let's let George Siemens explain his experience with connectivism.
While this course was designed for a university, and would look different in an elementary or high school, many of the fundamental principles easily transfer over, especially to a gifted class.  For example, having students either blog or microblog, or connect through Skype allows for students to have an open conversation with an author, politician, or anyone in any other part of the world.  This connect takes information, applies technology, and transforms it to higher ground through connection.  


Now watch the video below and see the implications for the learner in this theory.  It's easy, all you need to do is connect the...
One can see that this theory is closely related to constructivism (see my blog post Construct and Create for more), but that it also goes beyond it in that connectivism acknowledges that technology connects us through informal networked arenas.  This theory, then, emphasizes the primacy of the connection, and the distribution of knowledge across a variety of networks.  Furthermore, as learning is an actionable knowledge, there is an emphasis on the learner's ability to navigate the information (Siemens), and create something out of it.  


Downes (2005) lists the qualities of networked learning as:
  •  diversity
  •  autonomy
  •  interactivity
  •  openness

What are the implications of these qualities for the gifted learner?












Nauta and Ronner define a gifted individual as a "quick and clever thinker, who is able to deal with complex matters; an individual who is autonomous, curious and passionate; a sensitive and emotionally rich person, who is living intensely. He or she is a person who enjoys being creative" (2009).  Much like connectivism is about making connections along thin strands of knowledge, the gifted learner is also encouraged make connections in order to have a more complex understanding of their world.  As gifted learners are encouraged to use learning strategies that represent the triadic spectrum for self-regulating and managing personal processes, behaviour and environment, there is often more freedom in a gifted classroom to explore connections and enrich understandings through connections to literature, videos, poetry, music, and any other piece of information.  Furthermore, as gifted learners are often labeled as "creative" (which, really, we all are), the implications of connectivism are great, as it does not constrict creativity.


How does a connectivist teach?
He or she attempts to apply network theory, systems theory and social learning theory.  In other words, connective educators are:

  • technologically competent   
  • experimental
  • autonomous
  • creative
  • playful
  • capable of complexity


In Connectivism and Connective Knowledge, Downes describes connectivist teaching and learning as consisting of four major sorts of activities:
1. Aggregation- content- delivered through a variety of sources (example: newsletter)
2. Remixing-make connections, and then keep track of these resources and connections through blogs, delicious, Facebook, Twitter, etc.
3. Repurposing- creating
4. Feeding forward- sharing with the world



Hmmm...certainly lots to think about over the summer.


Stay tune...


Sources
http://blogs.ubc.ca/constructivism/readings/
http://www.connectivism.ca/
http://bit.ly/MJSfYi
http://www.downes.ca/files/Connective_Knowledge-19May2012.pdf
http://www.istockphoto.com/stock-photo-5963750-checklist-on-clipboard.php
http://www.sengifted.org/archives/articles/giftedness-in-the-work-environment-backgrounds-and-practical-recommendations

Sunday, June 17, 2012

The Art of Differentiation



Ewan McGregor's character Renton gives the following "Choose Life" speech in Danny Boyle's film, Trainspotting: "Choose life. Choose a job Choose a career.  Choose a family...Choose your future. Choose life."  If we as adults have the option to choose everything in life, why shouldn't students be allowed to choose not only what they produce, but how they construct it?


In my previous post, The Science of Differentiation for Gifted and Talented Students, I referred to differentiation as the process of varying levels of individual learning response in the education of the gifted and talented.  In the Twice Exceptional NewsletterBaum, S., Dann, M., Novak, C. and Preuss, L. note the importance of differentiation, and offering choices to reach academic, social, and behavioural goals.  Furthermore, they argue, differentiation provides options for all children with regard to the the following dimensions:
  • What they learn (content)
  • How they learn it (process)
  • How they demonstrate their learning (product)
  • Where they learn best (environment)
"All Part of the Process"
By Morcheeba

It's all part of the process 
We all love looking down 
All we want is some success 
But the chance is never around

In his book To Understand Is to Invent, Piaget said the basic principle of active methods can be expressed as: "to understand is to discover, or reconstruct by rediscovery, and such conditions must be complied with if in the future individuals are to be formed who are capable of production and creativity and not simply repetition" (p.20).  Furthermore, Piaget saw teachers as facilitators of knowledge, and there to help scaffold the learner.  What are the implications of this epistemology?  Teachers need to create environments where students can be active in their learning, and construct their own understanding of the world.

Keeping in mind Piaget's philosophy, technologies in the form of multimedia, hypermediavirtual reality, and webquests are valuable tools for students constructing their knowledge in an active, and interactive way.   Mulrine states that virtual learning environments can be used as a way to integrate the curriculum with information technology and create higher order learning opportunities for gifted learners. Here gifted students can interact with other people who have similar interests.  Students can then process their new knowledge and then share it online (see my blog post Construct and Create (Pt. 1) for more ideas).  Online learning environments also enable gifted students to work on a project at their own pace whether it is at school or at home, provided they have a computer with Internet access (2007).  Furthermore, these technologies also provide the learner with an authentic audience that can provide instant feedback, and allow for further exploration of any number of topics.  

It is important to remember that if you are just using technology for technology's sake, then you are not considering process, product, or environment (or the learner). It is crucial to use technology (such as one of the recommendations above) to enhance understanding for the gifted learner, and allow that student to share a new understanding with other individuals (either in a congregated setting or a virtual one).





Don't be scared of technology, teachers, embrace it!  If you are not tech-savvy, learn the basics and then let your students point you to new website and software.  Help the students get to where they need to go with their thinking, and they will guide you to the tools they can use to get there.

Stay tuned...






*http://www.davidsongifted.org/db/Articles_id_10665.aspx Differentiate or Accommodate?
http://knowledgeconnector.ca/2012/03/taking-paths-less-travelled/ (picture- "Road of Choices")
http://www.adifferentplace.org/modifying.htm
http://www.techlearning.com/article/45109
Mulrine, Christopher F. (April, 2007). CREATING A VIRTUAL LEARNING ENVIRONMENT FOR GIFTED AND TALENTED LEARNERS. Gifted Child Today, 30(2), 37-40. ProQuest Education Journals database. (Document ID: 1237776671)
McDonald, Andrew.  Boyle, Danny. 1996. Trainspotting. England: Miramax Films.

Thursday, June 14, 2012

The Science of Differentiation for Gifted and Talented Students

 
                                                                        
We all construct our understanding of the world in a different way.  For example, look at the picture above.  What is your first thought?  Jazz? Legend? Musician? Art? Blue? Or something completely different?  This picture in itself could lead to many discussions.  This being the case, why should teachers then teach the same way to all students?

According to the Office of the Gifted and Talented (1976), differentiation is "the process of instruction which is capable of being integrated into the school program and is adaptable to varying levels of individual learning response in the education of the gifted and talented and includes but is not limited to:
    1. high level of cognitive and affective concepts and processes
    2. strategies to accommodate unique learning styles of gifted and talented
    3. mentor ship, special classes, etc."*
This is good advice.  For all educators.  However, for the purpose of this writing, I will be focusing on gifted and bright students.

As Carol Ann Tomlinson notes in Differentiation for Gifted and Talented Students, "providing differentiated experiences to a selected group of children is one critical component of gifted education" (p. 78).

A common notion about gifted and bright students is that they all "get it."  Many teachers that I have spoken to think that teaching gifted students would be easy because they are all bright, so differentiation isn't really necessary.  This, however, is not the case.  Much like a mainstream classroom, students in a gifted class learn at different rates, in different ways, and for different reasons.  Differentiated learning allows students to work at their own rate, with their own learning style, investigating their own interests, and producing work that fits their abilities (Tomlinson, p. 78).  It is important that educators allow gifted students the opportunity to allow students to not only vary the product that is created (iMovie, Animoto, Prezi, etc.- see previous post Construct and Create for more ideas), but also allow for variance in the process.  In other words, one student might have to write every detail down in order to prove that he knows what he needs to know, while another will read a plethora of books and remember every detail.  Teachers need to acknowledge this variance in process, and allow it to happen (not always an easy task).

Virgil Ward (the "godfather of gifted education") stated that "the education of the gifted child should emphasize enduring methods and sources of learning, as opposed to a terminal emphasis upon present states of knowledge" (Education for the Gifted: An Axiomatic Approach p.156).  Furthermore, "learning should be conceived as the continuous, ongoing acquisition of data pertinent to problem situations, not as a set of given facts which, it is hoped, will apply to problems that arise subsequently in the life career" (p. 156).  Clearly Ward was a proponent for setting learning goals and intrinsic motivation.
                                                                                  
                                                                                                                                                  
Harry Passow's seven guiding principles to differentiation states the importance of the "gifted response." While his guidelines are clear and still relevant, he focusses on the "should" rather than the "must." For this reason, Renzulli modified Passow's principles to include "musts" (such as: must go beyond the regular curriculum, must accommodate students' preferred styles of learning, etc.) for students, and Maker (1982) lists "musts" for teachers of gifted students: be more complex, move beyond regular curriculum, be more concerned with the abstract, etc. (Tomlinson, p. 83).

If differentiation is what teachers should aim for, then it is imperative to allow for open-ended tasks (activities with multiple responses), rather than one correct answer.  Furthermore, this variety should not only include the end product, but the process.
                                                    

With the free-flow of information, differentiation can be made easy.  The solution: technology (provided that your school and/ or students have access to it).  This allows for more choice, and more opportunity for breadth and depth, self-initiated tasks, and all other principles suggested by Passow.

Coming up next...The Art of Differentiation for Gifted and Talented Students


*Tomlinson, Carol Ann. (2004) Differentiation for Gifted and Talented Students (p. 81).  Thousand Oaks, CAL, Corwin Press
Ward, Virgil (1961). Education for the Gifted: An Axiomatic Approach.  Charles E. Merrill Books, University of California

Sunday, June 10, 2012

Come together: in defence of congregated settings


Lev Vygotsky and other situated cognition theorists believe that "learning in most settings is a communal activity, a sharing of culture" (Bruner, 1986, p.127)  In other words, higher mental processes in humans develop through social interaction.  In the case of gifted and bright students, this community comes in congregated settings, where academically talented students can collaborate with other academically talented students in order to solve problems critically and creatively, and to encourage each other to create on higher ground.  According to Brown et al, collaboration is not just about working together in groups; rather, it enables insights and solutions to arise synergistically (Brown et al, 1989).* 

After surveying a group of grade 6 students in a congregated setting for academically talented students, the results revealed that this type of classroom:

  • more projects
  • allowed to ask more questions
  • more freedom (to be self, choose topics, choose project types)
  • not just listening to teacher
  • not just about textbooks and rows
  • multi-disciplinary
  • focus on the 'why' not just the 'how'
  • more challenging
  • encouraged to 'think different'
  • better pace of learning
  • more class discussion (and more people actually listen and speak)

This is not to say that students were not being challenged in their mainstream classes; rather, they feel more supported in a congregated setting, and see that they are working together toward a common goal- not just working quickly only to have more work to do upon completion (this is, sadly, often the case for gifted students, who are often given more homework because they finish quickly.  As these students likely understood the concept quickly, doing extra work only bores and frustrates the gifted student; thus decreasing motivation and engagement in learning in that setting).

A video that I like to show my gifted students is Apple's "Think Different" campaign.


My students identified that they made a connection with the message of this video, and that one of the great things about a congregated setting is that this idea is supported and encouraged by staff and peers alike.

Constructivists emphasize collaboration as a critical feature of in the learning environment (Driscoll).  This community of gifted learners in Saskatoon Public Schools outlines their goals as: 

  • using an integrated approach to provide learning challenges. As well, opportunities are provided  for students to improve social skills, cooperation, and responsibility. Skills such as critical and creative thinking, synthesis, and analysis are also emphasized.**

Furthermore, as Schwier states, "in the simplest sense, communities are collections of individuals who are bound together for some reason define the boundaries of the communities."*** Looking at the goals of gifted programs in Saskatoon, one can see that Schwier's definition of community supports the need for these programs.

According to a transformative view, "the initiate in new ways of thinking and knowing in education and learning practices is transformed by the process of communication with the cultural messages of others, but so, too, is the other (whether teacher or peer) in what is learned about the unique voice and understanding of the initiate" (Pea, 1994, p. 288- found in Driscoll).  A congregated setting of gifted learners has a unique voice, and it is important to support this voice, and encourage it to be heard.

In order to share their unique voice, gifted students are now afforded more opportunities to communicate and collaborate with other gifted classes around the world.  For example, students could create blogs about a chosen topic and then collaborate with another class in the same city (or perhaps in another city in a different country).  These blogs could then be developed into a number of different projects that would allow students to transform their understanding to higher ground.  Another avenue that a gifted class could take is to communicate online (via Skype, Googledocs, Edmodo, etc.- see my post on creating and collaborating for more suggestions) in order to share ideas with another class (or classes) that is working toward a similar goal.  A colleague asked me how a teacher could line this up and I replied: Twitter!

If we want students to work toward their strengths and passions, and do so in a comfortable and creative environment, then it is imperative that such a classroom exists.  The integration of technology into this setting encourages and allows students to collaborate and create on a higher level, and therefore empowering the unique voice of this community.

Stay tuned...


*Driscoll, M.P. (2005). Psychology of Learning for Instruction. Toronto, ON: Pearson
**http://www.spsd.sk.ca/files/programs/SpecialEducation.pdf
***Schwier, R.A. (2007). A typology of catalysts, emphases and elements of virtual learning communities. In R. Luppicini (Ed.). Trends in distance education:A focus on communities of learning. Greenwich, CT: Information Age Publishing
`http://www.usask.ca/education/coursework/802papers/communities/typology.HTM



Friday, June 8, 2012

Creating on Higher Ground




In "Fostering Academic Creativity in Gifted Students," authors Paul Torrance and Kathy Goff define academic creativity as "a way of thinking about, learning, and producing information in school subjects such as science, mathematics and history" (hmmm...not a very creative definition).  While there is no precise definition, we all get a similar feeling when we hear the word: when we are creative, we get excited!



Torrance and Goff see creative thinking and learning as involving: 
  1. Evaluation (the ability to sense problems, inconsistencies, and missing elements)
  2. Divergent production (fluency, flexibility, originality, elaboration)
  3. Redefinition 
I had an interesting conversation with a colleague one day that caused for sad reflection.  It went something like this:
"Kids that age (referring to a 2 year old girl) are so curious about the world.  They explore, explore and explore.  And then we send them off to school and we kill that."

From what I have often seen, and experienced myself as a child, this is true.  Curiosity and interest are not always encouraged; rather, it is about recognizing and memorizing information.  Thus, motivation is not always maintained, as memorizing details all day doesn't always stimulate the senses (hard to believe, I know).

What does this conversation and creative thinking and learning have to do with the gifted student?  I don't think it takes a lot of creativity to piece this together.  If so...





Joseph S. Renzulli, Director of The National Research Center on the Gifted and Talented at the University of Connecticut presents the three-ring conception of giftedness.

                                                                                                        http://www.gifted.uconn.edu/sem/semart04.html

As you can see, the gifted child is above average creativity.  However, if students are not given the opportunity to be creative, then this gift is wasted.  What's more, in our digital age, an era that allows us to create anything we wish, to not be creative almost seems unreal.  Sadly, creation does not always happen, and often, this is simply because teachers are not asking the right questions.

Torrance and Goff present three questions that illustrate the difference between learning information provided to them and creative learning:

  1. In what year did Columbus discover America? (The answer, 1492, requires recognizing and memorizing information.)
  2. How are Columbus and an astronaut similar and different? (The answer requires more than memorization and understanding; it requires students to think about what they know.)
  3. Suppose Columbus had landed in California. How would our lives and history have been different? (The answer requires many creative thinking skills including imagining, experimenting, discovering, elaborating, testing solutions, and communicating discoveries.)
How many times have you heard the first type of question being asked? Or, how many times have you asked it (don't worry, I won't tell anyone if you did)?  Now, how many times have you asked a question like the third one? It's the last question is what we want to ask in order to keep students thinking and motivated.  That is not to say that recognizing and memorizing is not important, but it doesn't lend itself well to creative and critical thinking.

                                                       http://www.photographyblogger.net/12-interesting-question-mark-pictures/

The International Society for Technology in Education (ISTE) approaches creativity and innovation in this way:

Students demonstrate creative thinking, construct knowledge, and develop innovative products and processes using technology. Students:
a.apply existing knowledge to generate new ideas, products, or processes.
b.create original works as a means of personal or group expression.
c.use models and simulations to explore complex systems and issues.
d.identify trends and forecast possibilities.*

This approach ties in wonderfully with gifted education, as the goal is to transform learning, not just regurgitate information.  As an example of this, the students in my grade six gifted ed class were all assigned an activist (that reflects their interests), and then they had to research what he or she did.  Then, the students blogged about these activists.  After that, students commented on other blogs, and had to respond to questions and comments after that.  The final project was a video where students talked about what they can do to help end the problem that they were most interested in.  All students in the class were a part of this video, and the editing and music was also created by the group.


This process saw the students learning about concepts, and then creating an original work that was an expression of the students as a collective- yet still maintaining their individuality.


Warm fuzzies have told me to end here.

Stay tuned...


Sources

Paul E. Torrance and Kathy Goff, ERIC EC Digest #E4841990 

Sunday, June 3, 2012

Construct and Create (Pt. 1)!

Reading about constructivism was a bit of an ah-ha moment for me.  First, I like that there is no single constructivist theory of instruction (not easy to pin down, akin to gifted education).  Secondly, this theory lends itself perfectly to the gifted education classroom, as this classroom is one where, as described by Marcy Driscoll, "learners test their own understandings against those of others, especially those of teachers or more advanced peers" (p.387).  For those visual learners out there (which, when you think about it, is all of us online), check out this Prezi-tation from the UBC for a summary of the constructivist theory of learning. This post will deal with constructivism and the tools and toys to create in a digital world.


Driscoll lists the learning goals of constructivism as:
  • problem solving
  • reasoning
  • critical thinking
  • active and reflective use of knowledge


Furthermore, Driscoll states that constructivists focus on higher-order goals and supply required scaffolding if students need it (p. 391). Again, this aligns with the goals of gifted education.


Driscoll's conditions for learning (in a constructivist world) include (pp. 394-401):


  1. Embed learning in complex, realistic and relevant environments
  2. Provide social negotiation as an integral part of learning
  3. Support multiple perspectives and the use of multiple models of representations (including metaphors- which is how we want gifted students to be thinking)- see Cognitive Flexibility Theory
  4. Encourage ownership in learning
  5. Nurture self-awareness of the knowledge-construction process


Being the reflective practitioner that I am, I have thought about these conditions and how I tried to create them in a mainstream classroom.  While I was successful in creating many of the above in years past, I did not incorporate all of the m at one time.  The difference between the mainstream classroom and the gifted classroom allows for compacting curricula, and not employing the pedagogy of prescription and practice.  As such, students in a gifted classroom can master tasks easily, and then go beyond to create and communicate in a multitude of ways.


Renee Hobbs lists the five essential dimensions of digital and media literacy (to be elaborated on in subsequent posts) as these five elements: 
  1. Access
  2. Analyze
  3. Create
  4. Reflect
  5. Act
For this post I want to focus on Hobbs' definition of create: "Composing or generating content using creativity and confidence in self-expression, with awareness or purpose, audience, and composition techniques" (Digital Literacy and Media, p. 12).  Hobbs goes on to describe communication as "the expressive dimension," whereby students create for meaningful purposes and authentic audiences instead of just to fulfill an assignment (p. 16).  Now students do not only create presentations and videos for their class, they create videos that can be seen by everyone with the Internet.


The tools and toys of the trade 
(I know that this list is not complete, as there are probably three new pieces of software developed in the time that it took me to write this sentence- the wordiness and awkward nature might actually lead to four):
Wow, this should be enough to explore for now.  Be sure to read my next post which will deal with creating in a transformative nature.  
To close this post, I leave you with the words of gifted educator Sarah Boone, MA:

Nurturing creativity in children calls for resourceful, creative thinking from parents. Modeling a creative approach to problem solving and a commitment to original expression through any medium is sometimes the most effective means of fostering a creative spirit.*
Good advice for teachers, too.

Coming up next...creating on higher ground




*http://www.tip.duke.edu/node/820
Hobbs, Renee (2011). Digital and Media Literacy. Thousand Oaks, CA: Sage 
Driscoll, M.P. (2005). Psychology of Learning for Instruction (pp. 384-407; Ch. 11 – Constructivism). Toronto, ON: Pearson.
Image of Portuguese guitar elements http://www.fotopedia.com/items/flickr-1564309278